Title:
What role can designers play in altering the way in which we behave within society?
Summary:
By designing out opportunity the likelihood of crime occurring is reduced. (Author unknown, ‘Designing out crime’)
Researching the connection between behaviour and the design of an environment, it is clear to see that there is a valid link between the two. Looking into different case studies, it is interesting to understand how different designs can contribute to our overall experience of an area.
There are many different examples in the way that we are influenced by the environment around us. One particularly interesting hypothesis is ‘The broken window theory’ which highlights how something as minor as a broken window can send the signal to an individual that matters like those are overlooked within the community. One broken window suggests that no one is bothered by the issue, so another is broken, then another and another…a vicious circle. The theory suggests that in turn we can solve the bigger issues by tackling the little ones first.
Dealing with these smaller issues, many designers try and introduce simple things into an environment to encourage a positive relationship between itself and the people occupying the space. With the ambition of reducing crime and its effects, these designers try and understand the area and the people who occupy it before creating a design solution. Considering what will work and what will not in a specific context can be vital in making sure that these methods will work to the best of their ability. Countless studies are constantly being tested within different areas and there is a surplus amount of case studies available discussing the effectiveness of these methods and those that have proven to be not as successful such as ‘Designing out crime’, ‘Street management and city design’ and ‘Measuring crime prevention through environmental design’.
‘Evidence based problem solving approaches appear to be an effective method in reducing crime and disorder’ (Hub pages, Crime and the community.)
Repeatedly, it is highlighted that the research stages are crucial within the design process when creating an effective design solution. Studying an area thoroughly in the beginning allows designers to gain a better appreciation of the context and clients that they are designing for. Influencing the way in which we behave, they talk about the many beneficial methods that can be introduced at planning stages. Using a variety of research methods such as observations, surveys, recordings, etc, a broad set of results can be gathered and used, for example in brainstorming groups with design teams.
Crime cannot be solved by one individual organisation so the underlying message being stressed is that for the best results everyone has to work together. Merging designers from different disciplines we can create better and more innovative design solutions by combining knowledge and utilising the large skill sets available. Teams with a mixture of disciplines conduct this extensive research, with some members working independently on tasks, where the results are discussed and ‘ripped to shreds’ – creating a varied and honest response.
Working alongside local people within these communities provides the design teams with an open response. Engaging with the people who witness what happens in the environment first hand allows them to gain a deeper insight into the issues that they are trying to design for. Creating techniques that will draw out all these different opinions and views from the people within this area is crucial and it is important that the designers consider this when generating these research methods.
When analysing these communities it is essential to bear in mind the different problems that occur in each. It is much harder for designers to create prevention designs for old environments because it is more difficult for them to alter the existing framework of the society. Challenging designers to think more cleverly, they must try and utilise the setting already there and introduce new methods to add prevention, things like lighting and fences are much easier to alter than the orientation of buildings. With each area requiring a different approach into tackling crime it is essential that the team designing it out are sympathetic to the environment - with each area having different needs it is crucial that the research methods used when gathering this data are appropriate. By looking at the stimuli that can cause people to commit crimes and designing to alter these we can make an attempt to create safer communities.
Aims:
Understanding why it is that humans interact within a space is vital when designing for a client as sometimes we must seek to provoke a certain response from individuals. Selecting a specific environment and comparing two different areas within this as a case study would allow me to observe how people behave in a specific way. Looking at crime prevention methods that have already been introduced into the area would allow me to discuss whether or not these were effective or not and what effect they have had on society.
Objectives:
Interacting with the people who are at the heart of the community will provide an honest insight into the whole environment, highlighting information that might otherwise have been overlooked.
>Interviews – broad or focussed set of results. Incorporate images alongside text?
>Observation studies on the environment
>Town planning documents (Glenrothes – planned: 1940s) (Compare a older area with a newly designed area)
>Work alongside Police officers/community liaison officers
>Crime statistics over a period of time
>Video recordings – allows repeated viewing
Keywords:
Stimuli, prevention, crime, design, environment, behaviour, roles, planning, self worth, community.
Expanded bibliography:
Author and date of publication unknown, 'Designing out crime', Royal Borough of Kensington and Chelsea Planning Information Office, London.
Discussing how crime prevention methods can be introduced from the planning stages, the supplementary planning document highlights the benefits from this. By designing out crime the impact that this can have on individuals and the community are untold. ‘Good planning and design have a major role to play in reducing crime and thus people’s fear of it’. Crime can occur due to a number of factors but one that is argued in this document that can help combat it is design. Incorporating successfully proven methods of prevention into the design of our community, the vulnerability of people and their property can be reduced.
Berg, L van der 2006, The Safe City, Ashgate Publishing Limited, Hants.
Discussing issues of attracting people to a certain area and the safety issues that surround an individual’s decision, Berg looks at 11 cities all over the world and talks largely about the ideas surrounding safety within these cities. He highlights that even though crime rates have dropped in 8 of the eleven cities, the fear of crime has risen within all of them. Analysing different methods which could contribute to this fear, the author explores topics such as media influences, the quality of the area in which we live, inequality, etc. Upbringing, location, sex, race and age can all contribute to these factors and our overall perception of insecurity and our fear of a space but Berg looks into these in more detail to provide us with answers with what could really be the cause of our fear.
Chang, D 2011, ‘Social crime or spatial crime exploring the effects of social, economical, and spatial factors on burglary rates’, Sage publications INC, vol. 43, no. 1 and pp. 26-52.
Talking primarily about space – crime, Chang talks about three main factors: social factor of building use patterns, economical factor of building values and two spatial factors, namely, the configurational factor of urban space structures investigating the configurational factors of intelligibility and integration. Considering all the factors that influence the way in which we all behave, we are presented with many that we may not even have considered to be influential.
Clarke, R.V. & Newman, G.R. 2005, Designing out crime, Criminal Justice Press, United States of America.
Looking at the little things within our daily lives that can be altered, Clarke and Newman talk about design solutions that have been introduced into society to aid against crime. Talking about the overall design, both advantages and disadvantages of the design is portrayed.
Crowe, T.D 2000, Crime prevention through environmental design: applications of architectural design and space management concepts, Butterworth – Heinemann publications, United States of America.
‘For over 5000 years, architects have used design and space management concepts to manipulate human behaviour.’
Bearing this in mind, Crowe demonstrates the mistakes that have occurred over the years in community development, urban planning and architectural design even though different methods over history have been recorded. Ignoring this historical knowledge, he looks at why designs have not worked and others that have been successful.
Davies, G 2006, Crime, neighbourhood and public housing, LFB Scholarly Publishing LLC, London.
With a certain stigma attached to public housing, this text looks at different angles surrounding the subject. Serving as a backdrop to which many criminal activities take place many people apply stereotypes to this type of housing forgetting that no two are the same. Davies presents us with valid research and information applying to both the positive and negative connotations attached.
Dearing, J 2005, 'Designing out crime', Planning, Transport and Highways Service Unit, London Bourough of Sutton.
This planning document talks about the different ways in which crime can not only affect the people within the community but the way in which the community functions. Highlighting the methods of prevention can not only be introduced to new developments, we are also made aware of what prevention methods can be introduced into older environments too. Making extensive use of pictures and diagrams the document is very easy to follow and understand fully what methods are effective and what ones are more likely to promote crime.
Fowler, E.P 1987, ‘Street management and city design’, University of North Carolina Press, vol. 66, no. 2, pp. 365-389
This journal explores the relationship between human behaviour and the physical environment, begging the question are we really influenced by our surroundings? After being presented with a large number of different experiments that have been carried out to argue the point of relationship between behaviour and context the author concludes that the only way one could possibly test this theory is to create many different diverse cities. Pushing boundaries to offer a wider spectrum of results to be gathered would be necessary so that conclusions can be clearer cut but is something that is also altered impossible as we ourselves render an environment to suit our own needs no matter how they have been designed.
http://www.designagainstcrime.com/index.php
Viewed 13 November 2010
With the ambition of reducing crime and its effects, the design against crime team aim to create better object, service and public designs by understanding both the user and the criminal. They highlight that is important to consider what techniques are required in creating the best possible concept as understanding the crime is crucial in progressing forward. Working with designers, community groups, crime prevention professionals, local government and industry, the team can gather lots of research that they can apply to their designs. The aim of the designs are to reduce crime and address security issues we as a society may face but without compromising the aspects of the overall design.
http://www.designagainstcrime.org/
Viewed 13 November 2010
Presenting us with numerous case studies this website aims to educate into the main causes of crime. Documenting the types of practice which have been proven successful in reducing crime and its effects, Design Against Crime wants to give designers the confidence to tackle this problem using their own designs. Providing information for design professionals, industry and commerce that highlight the success of products already in use to encourage more of us to do something about prevention, we are given countless examples with the underlying message that we are willing to fight crime.
http://hubpages.com/hub/Criminology-Diploma-5-Crime-the-Community
Viewed 13 November 2010
Understanding that no two communities are the same it is important for designers to remember this when researching into different areas when developing crime preventing designs. Stating that crime cannot be solved by one individual organisation, the message being given is that for the best results everyone has to work together. ‘Evidence based problem solving approaches appear to be an effective method in reducing crime and disorder’ which only heightens the argument that for any design to be effective it is crucial that an environment is researched fully to create the best possible solution. Understanding what will work and what will not in a specific context will be vital in making sure that these methods will work to the best of their ability.
Gladwell, M 2000, The Tipping Point, Little Brown, Great Britain
Specifically looking at the chapter called ‘The Power of Context, Part 1’ there are many different examples in the way that we are influenced by the environment around us. Making reference to ‘The Broken Window Theory’, this is something that could possibly be explored further during the dissertation process as it talks about how something as minor as a broken window can send the signal to an individual that matters like these are overlooked within the community. Starting with the little things, Gladwell suggests that we can solve the bigger problems.
Gosling, S 2008, Snoop, Profile books Ltd, London
Not primarily looking at the way in which the environment we are placed in effects the way in which we behave, this book explores the different stimuli that we react to. Studying the way in which we project ourselves, Gosling and his team of psychologists learn a great day about a person from the way in which they positions things within a space but also the everyday signals we. Stressing the importance that our everyday lives can have on our character, they look at the cues within an environment that can trigger these.
Gottfredson, S. & Taylor, R. B. 1986, ‘Environmental Design, Crime, and Prevention: An Examination of Community Dynamics’, The University of Chicago Press, vol. 8, pp. 387-416
Discussing the cognitive process in which criminals undertake before committing a crime is the main focus of this journal. Understanding what these thoughts may be allow designers to be a step ahead of the criminals and design these opportunities out. Using different case studies, the ideas behind this theme are discussed and the effects that environmental design can impose of the crime rates within an area are raised.
Jewson, N. & MacGregor, S 1997, Transforming cities, Routledge, London.
Analysing the way in which our cities have changed over the last decades of the twentieth century and the dramatic transformations that many of these have undergone. Focussing on these changes, the book explores the effects that these modernizing changes can have on the environment and the people that live within it.
Jones, H 1993, Crime and the urban environment, Ashgate publishing limited, Hants.
Arguing that the roots of crime stem from the environment, this book concentrates on highlighting elements within our society that can be responsible for the detrimental effects within our setting. Looking at different locations, it signals that different areas have different problems which affect people in diverse ways.
Lim, B. & Minnery J. R. 2005, ‘Measuring crime prevention through environmental design’, Journal of Architectural and Planning Research, Vol. 20, no. 4, pp. 330-341
Arguing that many professions claim to have reduced crime in a specific area, this paper disputes these claims as many are rarely evaluated to access aspects such as effectiveness and efficiency. Measuring the effectiveness in two residential areas participating in two Crime Prevention Through Environmental Design programs, the paper talks about the process undertaken and the data gathered. Concluding that we as a society tend to generalise crime to be a problem for every area here it is highlighted that every community is different and the problem of crime can be on a very different scale in each environment, e.g. from small to moderate. It is important that the results gathered are used to convey a message rather than create one.
Peterman, W 2000, Neighbourhood planning and community-based development, Sage publications, United States of America.
Exploring the many different combinations which can be placed within an environment to create an inviting environment, Peterman discusses largely the thought process involved in this process. For successful neighbourhoods to occur, he argues that it not only requires the design to be correct but also for the local communities to take pride in the environment in which the inhabit and marshal together as a group.
Press, M, Erol, R, Cooper, R & Thomas, M 2000, 'Design against crime', Design Management Institute conference, Frankfurt.
Highlighting the extent as to which businesses within the UK are including design reduction methods within their practice, this journal aims to discuss the methods that are used by these businesses. Presenting both successful and unsuccessful methods adopted, the points mainly discussed are those methods that have not been so successful and why this may have happened. Understanding what it is that makes a person commit a crime is vital when trying to design this out.
Schneider R.H & Kitchen, T 2007, Crime prevention and the built environment, British Library Cataloguing, Oxen.
Looking at urban design concept, we are presented with different methods undertaken in the design process in creating crime deterring environments. The impact that this prevention has had on these various environments are also presented to us in a manner that is very easy to interpret.
Stollard, P 1990, Crime prevention through housing design, Spon, London.
Trying to defer crime can be a daunting task for a designer especially when the research area surrounding the topic is vast. This book aims to provide sufficient amounts of knowledge for those individuals when trying to prevent crime for their designs. Appreciating that no two environments are the same, the Stollard suggests that the process leading to the solutions are the same.
Sykes, J 1979, Designing against vandalism, Heinemann Educational Books LTD, London.
With vandalism always being a large problem in our socities this book discusses the issues surrounding vandalism and the stereotypes associated with these. Presenting us with prevention methods that have been adopted by societies, case studies highlight the effectiveness of some methods and those that have been unsuccessful and why.
Taylor, R. B. 1996, ‘Neighbourhood responses to disorder and local attachments: the systemic model of attachment, social disorganization, and neighbourhood use value’, Sociological Forum, vol. 11, no.1, pp. 41-74.
Taylor purposely sets out to highlight the differences between neighbourhoods and investigates the level of responses to disorder. Arguing that the way to help reduce crime is by creating deeper bonds with the people within a community, is just one of the ways he believes could help tackle this major problem we face. He clearly delivers his ideas, educating us with the key facts needed to understand his arguments.
Weisburd, D 1998, Crime mapping and crime prevention, Willow Trees Press, United States of America.
Crime mapping is a very fast way to visually understand the areas affected by crime. Arguing that this method has both positive and negative features, the book places these next to one another so that we can compare these issues. A positive of this being that it acts as a tool to aid us in looking at crime clusters and crime displacement. On the negative side, it requires individuals using this device to study and understand what they are looking at fully.
Wednesday, 29 August 2012
Could babies' faces reduce crime?
After looking at the topic of crime and design for my dissertation, specifically "What role can designers play in crime prevention within the urban environment and how this can influence society as a whole", this was one angle that I did not come across when researching the topic.
One section in my dissertation focussed largely on the London Riots and what people believed to be the cause of these. There was so many case studies I trolled through and many people offered their opinions on why they believed the riots occurred. Referring to a book I read in my second year of University "The Tipping Point", there is a chapter in this book which is of most interest to this topic - "The Power of Context". In this chapter it talks about our susceptibility to our surroundings and how certain stimuli in these can cause us to behave in a certain way. So what really was the reason for the riots occurring? According to Malcolm Gladwell who is the author of "The Tipping Point", there is not just one reason for causing certain events to happen but a whole series. So will painting babies on a wall really reduce crime?
An experiment is being run in South - East London at the moment to see if this really can help play a part in crime reduction. In an area that was badly hit by looters in the riots, these babies appear after shop opening hours when the shop shutters come down and watch over the area. According to studies from as long ago as the 1940s, the effect that seeing an image has on a baby has on an adult creates a positive response.
After compiling research throughout my dissertation, I am yet to be convinced this is a worthwhile method of crime prevention...
Read more.
One section in my dissertation focussed largely on the London Riots and what people believed to be the cause of these. There was so many case studies I trolled through and many people offered their opinions on why they believed the riots occurred. Referring to a book I read in my second year of University "The Tipping Point", there is a chapter in this book which is of most interest to this topic - "The Power of Context". In this chapter it talks about our susceptibility to our surroundings and how certain stimuli in these can cause us to behave in a certain way. So what really was the reason for the riots occurring? According to Malcolm Gladwell who is the author of "The Tipping Point", there is not just one reason for causing certain events to happen but a whole series. So will painting babies on a wall really reduce crime?
An experiment is being run in South - East London at the moment to see if this really can help play a part in crime reduction. In an area that was badly hit by looters in the riots, these babies appear after shop opening hours when the shop shutters come down and watch over the area. According to studies from as long ago as the 1940s, the effect that seeing an image has on a baby has on an adult creates a positive response.
After compiling research throughout my dissertation, I am yet to be convinced this is a worthwhile method of crime prevention...
Read more.
Labels:
Baby,
Crime,
London,
London Riots,
Malcolm Gladwell,
The Power of Context,
The Tipping Point
Saturday, 25 August 2012
Life after University.
Wow. What a whirlwind. I don't even know where the last year has gone. Actually the past four years.
In the past four years, I've studied in Dundee, made some great friends, studied in Belgium, made some great friends, got engaged, graduated with a First Class Honours... I've changed so much as a designer and learnt new skills that will last a lifetime.
Rewind 5 years, I was a young naive school girl. Choosing my choices for University, I remember thinking that 4 years would give me plenty of time to decide what I wanted to be when I was a "big girl". Well 5 years later and I still don't know. Studying Interior and Environmental Design at DJCAD was the best experience I could ever have hoped for at University. The support I was given as young designer was amazing and helped develop me in so many areas of creativity.
Post University life now and the job hunt is on. As Coldplay once said "nobody said it was easy" and they could not have been more right. Scrolling through screeds and screeds of jobs, day after day... I'm a determined person though and I don't want to be another graduate without a job in their chosen discipline. I know that if I keep working hard that eventually Lady Luck will throw some of her luck in my direction. Until then, que sera.
In the past four years, I've studied in Dundee, made some great friends, studied in Belgium, made some great friends, got engaged, graduated with a First Class Honours... I've changed so much as a designer and learnt new skills that will last a lifetime.
Rewind 5 years, I was a young naive school girl. Choosing my choices for University, I remember thinking that 4 years would give me plenty of time to decide what I wanted to be when I was a "big girl". Well 5 years later and I still don't know. Studying Interior and Environmental Design at DJCAD was the best experience I could ever have hoped for at University. The support I was given as young designer was amazing and helped develop me in so many areas of creativity.
Post University life now and the job hunt is on. As Coldplay once said "nobody said it was easy" and they could not have been more right. Scrolling through screeds and screeds of jobs, day after day... I'm a determined person though and I don't want to be another graduate without a job in their chosen discipline. I know that if I keep working hard that eventually Lady Luck will throw some of her luck in my direction. Until then, que sera.
Monday, 7 November 2011
para-site
In the constraints of today’s urbanity, architects have striven to construct new spaces upon existing ones. Such parasitic architecture has paved new trends in developing and reshaping the way we play, live and work; transforming communities within urban habitats. By generating symbiotic relationships between host buildings and its parasite attachments, an interdependence emerges through overlapping resources and space with both parties feeding off each other’s attributes (Archdoc, 2011).
Tuesday, 11 October 2011
Friday, 19 August 2011
Riot aftermath: Community clean - up
With thanks:
BBC news - In pictures: Aftermath of the latest violence
Thursday, 18 August 2011
define: temporary.
lasting, existing, serving, or effective for a time only; not permanent: a temporary need; a temporary job.
Music festivals are temporary, so why don't we use materials to create these areas without being wasteful.
BDP architects worked with festival organisers to create the Music Box installation in Manchester, locally sourcing the shipping containers from the city's port creating a fun and creative way for people to get involved in the festival.
Other works of BDP architects include: Liverpool ONE, Glasgow Science Centre and Aintree racecourse.
lasting, existing, serving, or effective for a time only; not permanent: a temporary need; a temporary job.
Music festivals are temporary, so why don't we use materials to create these areas without being wasteful.
BDP architects worked with festival organisers to create the Music Box installation in Manchester, locally sourcing the shipping containers from the city's port creating a fun and creative way for people to get involved in the festival.
Other works of BDP architects include: Liverpool ONE, Glasgow Science Centre and Aintree racecourse.
Thursday, 21 April 2011
A new dining experience
.1
.3
Imagine enjoying a meal in the dark though? That's exactly what diners did in Milan recently thanks to food and design collective Arabeschi de Latte. Invited by London interior designers and stylists Studio Toogood invited guests to enjoy a very different dining experience. With the underlying theme of black midnight dinners were served to a number of guests, in which all the food was black (hopefully it was not burnt!)
Some of the delicious foods on offer were cheese served on coal, burned artichokes, bread dyed with squid ink and eggs cooked in black tea. Yum! Not really for me, but I like the fact that everything within this experience all related to the 'black' theme.
As an interior designer it is an important task for us to create a whole dining experience for the guest. Considering trivial things which others may overlook are crucial in creating a space suited to the context that is being designed for. This setting totally plays on the whole idea of the overall dining experience with the only experience really being taken away is taste.
.4
Labels:
Arabeschi de Latte,
Dining,
Midnight dinner,
Studio Toogood
New website
After a lot of hard work, my first ever website has been completed. Take a look and let me know what you think.
http://rachellaing.weebly.com/
http://rachellaing.weebly.com/
Thursday, 17 March 2011
Assignment 2b: developing the business proposal
Developing our business proposal, we all talked about the sort of thing we would like to venture into. Listening to what each of us thought and what we would like to do, we created a large mind map which allowed us to feed off of each others ideas and assist with the thought process of each other.
Once an ideas was decided, we then assigned different roles within the group according to their strengths and preferences, etc. We talked about many issues that I had not even thought to consider before and it was interesting to see how the group member's opinions differed on some of these factors. Discussing some things more than others we tried to cover as many different topics as we could.
Assignment 2a: Profiling the post consumer
Post consumer. To understand fully what this term meant, we all looked at different aspects associated with the post consumer and researched the idea into more detail to create a mood boards portraying our ideas.
Wednesday, 9 February 2011
Assignment 1: Learning styles
Working in a team this semester to develop a business proposal it is important to understand how every member of the team works and realise what people's strength are to develop the best possible concepts.
Missing the beginning of our group meetings due to my Erasmus exchange in Belgium, I had to come in a little later and understand myself what category each person within my group fell into. Straight away it was easy to see who felt confident about sharing their ideas and those who preferred to listen to others. All of these different qualities that these members possessed were important for the skill set required to complete our objective. Working off one another, the whole mixture of personalities really work well together within the group environment.
With thanks:
http://images.google.co.uk/imgres?imgurl=http://www.b-sidenation.com/images/bsidepics1/angela%2520davis1.jpg&imgrefurl=http://colorsinfluence.blogspot.com/2009/01/writer-activist-angela-davis-comes-to.html&usg=__7pjJnH1rpnnprftKPL94eQ6588c=&h=366&w=443&sz=49&hl=en&start=0&sig2=6XXXcmK0DXIz1d5vToOx0g&zoom=1&tbnid=GZkWUJlV_r1pIM:&tbnh=130&tbnw=162&ei=d_yBTbOnIoeVOryDjdYI&prev=/images%3Fq%3Dactivist%26hl%3Den%26sa%3DX%26gbv%3D2%26biw%3D1264%26bih%3D569%26tbs%3Disch:1&itbs=1&iact=rc&dur=370&oei=ZPyBTfGpOJDXsgbtl7mIAw&page=1&ndsp=21&ved=1t:429,r:11,s:0&tx=90&ty=75
Taking the learning styles survey allowed me to understand how I operate and how best I work within a team. I am an Activist.
Angela Davis. Actively involved in the economic, racial and gender equality in U.S.A.
Acting on a gut instinct and are enthusiastic about new ideas. Getting stuck in, they are not likely to prepare for learning experiences or review afterwards what they learnt. Working better with others, activists enjoy being thrown in the deep end into solving problems.
Activists are also described as people who do not enjoy listening to lectures or following rules. They do not understand things easily on their own, such as reading, writing and thinking...These were the results given by the survey and although I agree with a few of the points made, most of them I disagree with.Missing the beginning of our group meetings due to my Erasmus exchange in Belgium, I had to come in a little later and understand myself what category each person within my group fell into. Straight away it was easy to see who felt confident about sharing their ideas and those who preferred to listen to others. All of these different qualities that these members possessed were important for the skill set required to complete our objective. Working off one another, the whole mixture of personalities really work well together within the group environment.
With thanks:
http://images.google.co.uk/imgres?imgurl=http://www.b-sidenation.com/images/bsidepics1/angela%2520davis1.jpg&imgrefurl=http://colorsinfluence.blogspot.com/2009/01/writer-activist-angela-davis-comes-to.html&usg=__7pjJnH1rpnnprftKPL94eQ6588c=&h=366&w=443&sz=49&hl=en&start=0&sig2=6XXXcmK0DXIz1d5vToOx0g&zoom=1&tbnid=GZkWUJlV_r1pIM:&tbnh=130&tbnw=162&ei=d_yBTbOnIoeVOryDjdYI&prev=/images%3Fq%3Dactivist%26hl%3Den%26sa%3DX%26gbv%3D2%26biw%3D1264%26bih%3D569%26tbs%3Disch:1&itbs=1&iact=rc&dur=370&oei=ZPyBTfGpOJDXsgbtl7mIAw&page=1&ndsp=21&ved=1t:429,r:11,s:0&tx=90&ty=75
Wednesday, 19 January 2011
1 - 1 = 0?
With his unusual design concept, Alexander Hulme challenges the very basic mathematic law that 1 - 1 = 0. Normally knocking your plate off the table would result in a very messy floor and a mass of shattered pieces but this clever plate shatters in a way that you are left with two new plates. This is really quirky design idea but the only thing that gets me thinking now is what happens if you drop these two 'new' plates...?
With thanks: http://internetsiao.com/page/67/
Tuesday, 7 December 2010
Wednesday, 1 December 2010
Gevangenis bibliotheek, Antwerpen.
Prison library, Antwerp.
Yesterday we received our new interior brief...design a library within a prison for the inmates. For me I think that this is going to be a challenging project as I have strong views about the prison service. In my opinion, prisons are a place to be disciplined and for offenders to feel some remorse for the crime that has been committed so why should they be given luxuries as some are receiving such as televisions, Playstations, music, etc? Why are some people deliberately committing a crime just so that they can actually be in prison? Why should they still be allowed to enjoy hobbies such as reading and listening and watching to music and films from a variety of sources from the large collection that the prison has, surely this just defeats the whole purpose of punishment? As a designer though it is important for me to put my personal opinions aside and design neutrally, listening to what the client and users require from the space.
With a little more research into the whole topic, I understand a little more of the ideas and specifications surrounding the prison system (even if I still disagree with quite a large amount of things).
For one, the library may not have been as much as a privilege as I had first imagined for prisoners but instead acting as an aid in a bid to provide structuring for prisoners and a way to assist learning and skill development. It also encourages the inmates to make use of the libraries when they are released so as to help them reintegrate themselves into society.
As a designer it is important to understand the needs for each individual prison and the inmates that will be using the library. With a diversity of languages (sometimes 25 different nationalities), cultures, ethic origin and religion it is crucial that all of this is taken into consideration when deciding how the library will be laid out and the number of books that will be required. As this is in a closed environment it is important to consider again a number of things, are the resources suitable for prisoners? Are the materials within the library going to engage offenders into using the service? Can the space encourage inmates to use a similar service on the 'outside'?
The space in which we are to design within already houses a library but it is our job as designers to create a new innovative design that will encourage more prisoners to use the facility...considering aspects such as the opening hours, capacity, safety and size of the space will all have an influence on our final concept. How will a prisoner interact with the space? How will the way in which a guard and librarian interact differ?
Organisation of documents such as tracking stock levels and the books or other resources that each prisoner has must be designed within the space. These should only be accessible to the appropriate personnel so security issues should be considered. Also within the should there be helpful pointers to aid inmates in finding books, Dewey Decimal System...?
Safety probably is one of the main issues that I need to tackle within the space as some people who are coming to visit the library may not primarily be there to just pick a book... According to prison library specifications it is important to incorporate a number of elements such as formal and informal areas, general display areas, a separate staff area, etc.
The whole project ties in nicely with a topic I want to explore as a possible dissertation subject and as our tutors here in Mechelen keep reinforcing the point that space does influence the way in which we behave, it is important for me to use the data I have already gathered for my dissertation to aid me with this but also be prepared to discover new points that I can add to it too. In the case of this project the design we create should be aimed at trying to ease the stay of convicts and help them try and channel energies towards a positive outcome.
Basically what I am trying to say is that lots and lots need to be considered and after doing some research into the subject I now have a greater understanding. Although most of my original views remain the same, I have changed my feelings towards the library space within the prison. What I originally thought was just a place for the inmates to escape the area in which they are being disciplined in, now I understand to be so much more...a place to try and encourage learning and those who wish, an opportunity to prepare themselves for a new life outside the 4 walls of their cells.
With thanks:
Author unknown 2010, Prison libraries specification, Waterside Press, London.
Yesterday we received our new interior brief...design a library within a prison for the inmates. For me I think that this is going to be a challenging project as I have strong views about the prison service. In my opinion, prisons are a place to be disciplined and for offenders to feel some remorse for the crime that has been committed so why should they be given luxuries as some are receiving such as televisions, Playstations, music, etc? Why are some people deliberately committing a crime just so that they can actually be in prison? Why should they still be allowed to enjoy hobbies such as reading and listening and watching to music and films from a variety of sources from the large collection that the prison has, surely this just defeats the whole purpose of punishment? As a designer though it is important for me to put my personal opinions aside and design neutrally, listening to what the client and users require from the space.
With a little more research into the whole topic, I understand a little more of the ideas and specifications surrounding the prison system (even if I still disagree with quite a large amount of things).
For one, the library may not have been as much as a privilege as I had first imagined for prisoners but instead acting as an aid in a bid to provide structuring for prisoners and a way to assist learning and skill development. It also encourages the inmates to make use of the libraries when they are released so as to help them reintegrate themselves into society.
As a designer it is important to understand the needs for each individual prison and the inmates that will be using the library. With a diversity of languages (sometimes 25 different nationalities), cultures, ethic origin and religion it is crucial that all of this is taken into consideration when deciding how the library will be laid out and the number of books that will be required. As this is in a closed environment it is important to consider again a number of things, are the resources suitable for prisoners? Are the materials within the library going to engage offenders into using the service? Can the space encourage inmates to use a similar service on the 'outside'?
The space in which we are to design within already houses a library but it is our job as designers to create a new innovative design that will encourage more prisoners to use the facility...considering aspects such as the opening hours, capacity, safety and size of the space will all have an influence on our final concept. How will a prisoner interact with the space? How will the way in which a guard and librarian interact differ?
Organisation of documents such as tracking stock levels and the books or other resources that each prisoner has must be designed within the space. These should only be accessible to the appropriate personnel so security issues should be considered. Also within the should there be helpful pointers to aid inmates in finding books, Dewey Decimal System...?
Safety probably is one of the main issues that I need to tackle within the space as some people who are coming to visit the library may not primarily be there to just pick a book... According to prison library specifications it is important to incorporate a number of elements such as formal and informal areas, general display areas, a separate staff area, etc.
The whole project ties in nicely with a topic I want to explore as a possible dissertation subject and as our tutors here in Mechelen keep reinforcing the point that space does influence the way in which we behave, it is important for me to use the data I have already gathered for my dissertation to aid me with this but also be prepared to discover new points that I can add to it too. In the case of this project the design we create should be aimed at trying to ease the stay of convicts and help them try and channel energies towards a positive outcome.
Basically what I am trying to say is that lots and lots need to be considered and after doing some research into the subject I now have a greater understanding. Although most of my original views remain the same, I have changed my feelings towards the library space within the prison. What I originally thought was just a place for the inmates to escape the area in which they are being disciplined in, now I understand to be so much more...a place to try and encourage learning and those who wish, an opportunity to prepare themselves for a new life outside the 4 walls of their cells.
With thanks:
Author unknown 2010, Prison libraries specification, Waterside Press, London.
Labels:
Antwerp,
Gevangenis bibliotheek,
Library,
Prison
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